Linda Maye Adams

Week 2 of Story-A-Week


Two weeks ago, I finally declared an emergency.  I’ve been struggling to work on a novel for a while.  My intent was to produce both a novel and get short stories submitted.  Neither was really happening.

Time was not the issue.  I could make the time.

The problem has been that my job is a currently a creative drain.  We just had a reorganization — really, do I need to say more?  I think they’re the one thing all employees really hate, and ours will probably take a year to work out the bugs.

So I can get home and need two hours before I can even attempt writing, and sometimes I end up in front of the computer for another two hours and not much to speak for it because I just can’t wrap my brain around a large project like a novel.

Even when I got to the weekend, I needed time to decompress by going out to places and just getting out.  Meanwhile, my head’s going, “But all that is writing time,” and I’m thinking, “But I need me time, too.”

Then I got Jay Lake’s Writing Rules.  He passed away a few weeks ago, but the rules are one of his legacies.  One of them was a typical one I’ve seen: Finish a project a week.  Then I saw this part:

Length is irrelevant.  This is important for two reasons — time management and idea sizing.  Even on a terrible week with sick kids and overtime at work, you can carve out an hour somewhere to rip off a 500 word flash piece.  Then you’ve met your goal.  On an easy week, you can work on a novella.  This helps you meet the goal more consistently, where a word-count target would be in greater jeopardy.

I could do that.  Flash fiction is very manageable and regular short stories can be done on weeks when things are less of a creative suck.  So I’m going to set aside novels for right now and do a story a week, each with two goals.

For Week 2, I did Flash fiction, contemporary science fiction/time travel.

Goals:

  1. Don’t go dark: This has been a problem I’m battling since I veer toward such dark ideas that I can’t sell them (as in small situation resolved; big situation not resolved).
  2. Get temperature into the story: As a pantser, I tend to leave out a lot of the details, like the setting .  So I picked an element to make sure I did something with it.  In this case, I used the humidity of Washington, DC that we had last week.

 

 

 

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