I’m on a Facebook page where everyone’s focus—especially now with NANO—is to simply get the first draft out of the way so they can get to the revision. It’s like the first draft is so distasteful, it’s like, “Let’s just gulp this down and get it out of the way. Everything can be fixed on the revision.”
I used to think that, too.
And it’s like the hatred of the first draft feeds on that thinking. I remember working on the first draft of one particularly problematic book. At that point, my writing was starting to really clash with all the outlining advice that was out there. Little things like “Know your plot points” that are sternly recommended for pantsers were interfering with my story, and all I could think about as I was writing it was that I was looking forward to fixing it on the revision.
Then I got to the revision, and it was a terrible mess. It seemed like every decision I made in first draft affected events that followed. If I changed A, then B, C, D, and X also changed. But I wasn’t done! A changed P, S, and T, and changing P changed C, which changed other things. It just snowballed into a mass of revision that had me pulling out my hair.
But if you’d told me that it was how I was thinking about the first draft at the time, I wouldn’t have believed it. A lot of emphasis is put on that the first draft is always terrible and revision is where the story really comes out.
I saw this first hand when I took Holly Lisle’s How to Revise Your Novel. I had this tangled mess that looked like the cat had taken the ball of yarn outside and unrolled it out in the leaf pile and then dragged it around in the dirt and picked up the fox gloves. One of her lessons was to look through the entire story and simply identify what was wrong. I couldn’t believe the amount of problems that I had created by the magic words, “I’ll leave that for revision.”
It was horrifying when I realized what this was doing to the story. Each part of the story connects to other parts of the story, so if one decision isn’t made, it’s like a car hitting a pothole. The alignment gets thrown out of whack, and every decision that follows is based on that part that’s out of whack.
I ended up tossing out that entire story and redrafting it from scratch—essentially pretending like that mess didn’t exist and doing a new first draft. It was much easier than trying to fix what I left for revision!
Now, if I get stuck in the first draft, I stop and figure out why. Sometimes this takes longer than I really want, but it’s far better than the old way of “leaving it for the revision.”