I ran across the concept of “buried dialogue” a few weeks ago the How to Write a Page Turner lecture. I hadn’t heard of it really much before .. or rather, what I did hear was, well, buried.
It’s in one of my craft books, mentioned in passing, buried in a paragraph about other things. In fact, I found very little on it at all. This is one of the few posts (counting on one hand two) that discussed it at all.
What it is:
When you have a bunch of narrative, then some dialogue, and then some more narrative. So …
Narrative. Narrative. Narrative. Narrative. Dialogue. Narrative. Narrative. Narrative. Narrative.
Narrative. Narrative. Dialogue. Narrative. Narrative. Dialogue. Narrative.
Yup. I’ve been guilty of doing exactly that in my fiction.
For those readers who like to skim dialogue, that’s a piece of dialogue that would get missed entirely. As a visual spatial, I hop on words rather than reading from word to word, so it’s possible I would miss it, too. Hmm. That does explain times when a book has lost me …
Anyways, since not burying dialogue is technique seen at the best seller level, I looked for it while I was typing up Michael Connelly’s The Reversal (first three chapters). What I found was more like:
Narrative. Narrative. Narrative. Narrative.
It’s also a pacing thing, a skill that I eventually want to work on. But pacing is such a big skill area that I want to whittle away at it with other areas like dialogue and narrative first.
When I try thinking differently about this, it makes me think not only about the dialogue but the narrative itself. These is a lot of narrative that gets in as, really, a placeholder (e.g., he nodded, she sighed).
So I’m playing with it on both my current short story March of the Gulls and my science fiction novel, book 2 to Crying Planet.