Every now and then I run into a show where the director used the “shaky camera” filming technique. It’s where the camera is hand held or simulates hand held. The camera might be focused on one actor, and it jiggles and moves around.
It probably originated from The Blair Witch Project. According to stories at the time, the camera was so shaky that people got ill from motion sickness.
I think some directors use it because it creates a sense of urgency. You get all this camera jiggling–pay attention! Pay attention!
It also evokes a sense of realism. If you film a home movie, it’s going to have the same shaky effect.
For me, I don’t like it, except maybe very sparingly. I could see it in a big action scene where things are moving fast because it fits there. One of the things producer Irwin Allen did was what was called The Seaview Rock and Roll. He banged a metal bucket, the camera would tilt, and the actors would all lurch to the left, or even fall to the deck. It was a very effective special effect.
The shaky camera works here because it’s only a few minutes, and then goes back to the normal stable camera shots.
As an entire episode or movie? No.
One of the problems with the shaky camera is that if used in excess, it constantly disrupts the suspension of disbelief and reminds us that is a film. I know that the new version of Battlestar Galactica is highly praised, and I’ve been able to watch it. Just a few minutes in of shaky camera and I was paying more attention to the camera movement than the story.
Sometimes less is better.