A Day in the Life of Writing Nerd

Desk with laptop, lamp, flowers, and stackable trays.
The Nerd Zone

With a full-time job, much of my writing time ends up being on the weekend.  That’s sometimes hard because I also need to have time for myself other than going to work and then writing.  But this is what my day looked like on Saturday.

6 AM – Up, and a sinus zombie this morning.  The weather’s been warming up, so the pollen Death Stars started their attack.  I puttered around until my brain woke up more.

Fun Memory:  This book on The Waltons popped up in my Facebook stream this morning.  I met the writer Charlotte Graham around the time the book came out and she autographed a copy of it for me.

7 AM – The dull and boring stuff.  I did some maintenance work on the website.  With WordPress’s change to blocks, I had to redo all my book pages.  I previously managed to get all the covers up, including some I’d missed (yikes).  But not all of them have links.

  • Checked the Non-Fiction page. Verified the links were all there.  But this is the one page I’ll need to redo, since I was still figuring out the blocks.  I was missing three books off this page!
  • Zap! General Fiction is now completed.
  • Validated the Mysteries page.
  • To the Science Fiction page, I added the cover for X Marks the Spot.  That’s coming out in April.  Zoomed through all the links—Yay! 

For all the pain of me not getting to this because my head imagined it bigger than it was, it only took about fifty minutes.

WordPress block tip: When putting up book covers in a block, only do three covers per block.  If you delete an image, or add one later, the block removes all the book cover links.  If you do only three, it’s a lot less work to fix.

8 AM.  Close all files.  Off to farmer’s market to pick up vegetables.  Hopefully there will be some.

Gorgeous day out.  The trees are covered with fuzz from the buds coming in.  And it’s really windy.  I thought I would stop off at this marshlands park nearby for a walk out in the sun.  Nope, nope, nope.  Way too cold still. 

I did stop off at Roaches Run, which is along the George Washington Parkway.  Gorgeous view of the Potomac River.  If you want to see a picture of it, it’ll be on Tuesday’s newsletter

Saw this on the road:

We fix viruses not coronavirus

Sign on computer store

It was a quick run at the farmer’s market.  Alexandria was setting up for the St. Patrick’s Day parade. Streets were already being blocked off.  I lucked out and was able to find parking.

Zoomed n and did a happy dance.  One of the vendors I like is back for the season.  He and his daughter man the tables and they always have lots of good vegetables.  This morning, he said, “Picked at six AM this morning.”  That’s fresh!

Spoils: green leaf lettuce, kale, collard greens, celery, red bell peppers, onions, garlic, sweet potatoes, avocados, ground beef, and eggs.

9:30 – Back to some more writing maintenance.  This time to Book2Read to make sure all the book links are current.  This site is a link propagator that picks up all the vendors, but with all the changes like new sellers, the links need refreshing periodically.  So I run a rescan.

Then a break for a while.  Closing everything down again.

11 AM – Off to my favorite Thai restaurant for lunch, Kindle in hand.  Sun’s really bright, and it’s still really cold and windy.  When I was coming back, a lady came out of a store with her black dog (lab-sized).  The first thing the dog did was steer over to me.  Yup, he got some petting.

1 PM – Onto some research.  This is for my next book, which may be a 3 or 7 book series.  Haven’t quite made up my mind.  But it’s a superhero story.

I’ve been watching both The Greatest American Hero and Earth: The Final Conflict.  In GAH, aliens come to Earth and give humans a superhero suit.  Motive: Prevent what happened on their world from happening to Earth.

In EFC, aliens come to Earth and give mankind technology and heal people.  Motive: That’s hard to tell in the first season, except that the Taelons appear to have other goals that benefit them and not humanity.  I liked how we were sure if they were good or not, and if the individual Taelons were good or not.

Researching superhero powers.  Who knew there would be lists?  Plus here’s the tropes.  I’m definitely breaking #7.  The parents are in the story.  #12 also: This character does not want to do it.  This is a full list of all the posts with a lot of interesting information.

2 PM – And out to the grocery store (across the street).  The sunlight keeps calling to me even though it’s too cold out!


Working on character worksheets for the protagonist and antagonist.  I’ve never liked character worksheets. How do you get characterization when the questions are superficial?

But I ran across Deborah Chester’s Fantasy Fiction Formula and that gave me a worksheet that was pretty different.

I also have some black holes in my skills that I’m working at addressing.  I took workshops from Dean Wesley Smith for many years, but it became apparent that I’d gone as far as I could with his workshops. 

Deborah’s idea is simple: Make the story simple and the characters complex.  Characterization is one of my strengths, but now I’m looking at it for improvement.  And I’m ready for it.

New Book: Golden Lies

Woman in red 1940s dress stands by window.

Hollywood, 1947: A film star missing…a movie studio executive in trouble…

Private Investigator Al Travers feels the pressure.  Trapped between a politician and a movie executive, he must find the film star and the deadly secret she hides.

But time is running out and his search for the truth may cost him his life.

An exciting and twisted tale of Hollywood and the lies of Tinsel Town.

Available from your favorite bookseller.

Blog on Vacation

The blog will be on hiatus for Christmas. I’ll see you back here the first week in January.

Merry Christmas!

Degrees of Influence

This week I went to a conference for women, which included a reminder that even us just being present was an influence on other people.  While I was there, actor David Hedison passed away.

Who’s David Hedison?

If the name sounds familiar, he starred on the TV series Voyage to the Bottom of the Sea and the original movie The Fly.  He’s the guy screaming, “Help me! Help me!” as the spider moves in for lunch.

He was also my favorite actor growing up.

KTLA TV showed a science fiction afternoon with Tom Hatten hosting (who also passed away recently).  There were films from the 1950s and 1960s.  At 4:00, Voyage to the Bottom of the Sea came on, followed by Star Trek.  I liked both shows even though they were quite different.

Star Trek was like a Western in space with more cerebral content.  It took modern-day politics and built futuristic stories about them.

In its later years, Voyage to the Bottom of the Sea was a hark to those science fiction movies I also watched.  We had monster and aliens and even a mermaid.   David Hedison was one of the starring actors and he played the action hero.

Some of the memorable episodes included him walking through the inside of the whale to save lives and turning into a werewolf because of a scientific experiment gone wrong.

Suddenly the show disappeared from the air.

The first season was in black and white, so stations discontinued running the entire show.  The fans were left to meet at cons and correspond through mail and writing fan fiction. I collected photos and joined his fan club.  None of us had access to him.

Except on film and TV.  When there were fewer channels, TV Guide would include a short summary of the shows and the guest stars.  So when it came in the mail, I went cover to cover and found David Hedison in other shows.  Variety was at the local library, so I looked at the casting announcements and found more.

Because of this influence from a person I never met, I read books about Hollywood.  There was the book Making a Monster that described how David Hedison was made up for The Fly.  I looked for behind the scenes photos because that was more interesting to me than posed photos of characters holding ray guns.

I’m ALSO writing a mystery set in Hollywood after World War II.

Enter the Internet

Then the internet changed everything.  In 1997, I started David Hedison’s official website, which I ran with another person until 2007.  After that, it became too much work because it was competing with my writing, so the other person and her son took it over.

This was in the Gold Rush days of the internet.  No one knew what they were doing.

But we knew one thing: It was the public face of this actor.  Agents or producers might see the site.  So we had to represent him professionally.

Drove the new base of fans crazy.  They wanted dirt.  They wanted personal.  They wanted intimate.

The site always amazed David Hedison, I think.  He didn’t really understand why people would visit.  We provided a nearly complete credit list vetted by him, as well as frequently asked questions and upcoming appearances.  This was a very different experience then hunting through TV Guide and Variety.

The fan base also changed with the internet, and not for the better.

In print, we were a bunch of fans who wanted more adventures from our favorite TV show.  It was hard work and it scared a lot of people off.

On the internet, the fans were far less friendly (an early sign of what we see today).

One time, a fan sent a note on the mailing list asking how to learn to be better.  In hindsight, she was probably fishing for praise.  Then, I thought if you wanted to write–because it is something that takes a lot of time to do–you wanted to learn.  I got verbally smacked when the fan sneered and said, “Not everyone can afford editors to fix their writing.”

Uh, I use a copy editor to catch the dumb stuff.  I don’t use a developmental editor to tell me how to write.

Between the website and the fan behavior, it started to very apparent that I needed to stay away from the fan politics.  Eventually, I dropped off the list.  It was no longer fun if we couldn’t have a conversation without people melting down.

It was a lesson I learned again when I was on the writing message boards.  About ninety-five percent of the writing community fits into two categories.  They pass around advice that’s plainly wrong and say the best sellers (who are in the other two categories) don’t know anything because the wrong advice is so common.

When someone on the writing message boards asked for advice, I always felt like I had to not say what I knew was true, or be very careful about what I did say.  One time I got my hand smacked by another writer because I “you don’t understand a thing about outlining”–this after I said “This is my experience with outlining” and said why it didn’t work for me.

I’ve ended up doing some of the same things for Facebook.

Meeting David Hedison

The first time I met David Hedison, two other core fans and I drove to Massachusetts to see him in a play.  I was so nervous!  I was convinced I was breaking out in wrinkles all over.

We told the theater we were friends of his and they sat us in the second row the first night and the first row the next night.  The stage was so close to us we could have reached out and touched the actors.

And then David Hedison walked out on stage.

My first thought?

Holy cow!  He’s three-dimensional!

I hadn’t realized how flat film made actors look.

After the performance, we got to meet him.  He was bouncing around–lots of energy–and got us sodas and chatted with us.  He was very nice and friendly.  The next night we got to see a photo session with all the actors.  They goofed around and mugged for us.

I met him numerous times after that. He knew he could trust the core group of fans.  We saw him in more plays and at conventions.

Because of this influence, I started to see actors as people as not celebrities.  I’d see actors who were professional and ones weren’t.

I’d get that lesson in professionalism over and over.

David Hedison was at one con where they did a Q&A on stage.  The interviewer wandered off-topic, asking about other actors (sort of like if you write a mystery and the interviewer starts talking about Michael Connelly and not you or your book).  He diplomatically found a way to end the session and had the audience laughing.

If I picked up a magazine with an interview, I knew what I was going to get.  He never dished gossip on anyone.

When I started focusing more on my writing and my personal website, all those things I learned from the degrees of influence filtered in.

One of the classes I attended at the conference brought up the degrees of influence.  But at the end of her second workshop, the instructor did something she didn’t intend to.  She brought up politics on one of her slides.

Politics was part of the conference because you have them at work and even within your family or the church.  The other speakers kept it at that level.

She inserted personal opinion.

I’m sure she thought everyone agreed with her (I didn’t).  But it had an unintended influence.  If I see her name on an agenda, I won’t take a class from her again because I can’t trust her.

We all influence someone else, every day, all day.  I doubt if David Hedison knew he influenced me, but I knew.


Smiling David Hedison



5 Reasons Not to Use Movies for Research

I grew up reading about movies and TV.  The libraries were filled with books on the subject, and it was always fascinating reading.  I remember one TV producer saying “They’ll never notice!” 

Unfortunately because so much of this is part of our culture, a whole lot of writers think it’s a good idea to use movies for research instead of either hitting the books, asking an expert, or going out to experience a place.  Here are some the reasons why it’s such a bad idea.

Hollywood loves stereotypes and cliches

Every film and TV show has one problem going in: Time.  They have to make the movie fit within a certain amount of minutes.  So stereotypes become a quick shortcut.  A thug has a certain “look” so that when he walks on screen and the ominous music is cued, we know he’s a bad guy.

Cliches are another shortcut.  If a producer spots something cool and neat, every movie will repeat it as if it were TRUE for everyone.

Just about every TV show and film with a blind person has had the character touch the face of another character to “see” what he looks like.  I have no doubt that there was probably a newspaper article on a blind person who did this.  But Hollywood latched onto it and put it into nearly every film and show that followed.  A friend who is blind says that they don’t do all the touchy feely stuff.

Problems with accuracy

Films depicting actual events or historical events aren’t always accurate.  Many “biopics” have annoyed the original source because details were altered to tell the story.  Sometimes there isn’t a reason why they got changed.  Historical stories might be loosely told.  Heck, even the costuming may not be accurate. A friend checked the medals a military character wore.  It was obvious the prop guy grabbed a handful, since it was impossible for the character to be fifty years in the future and be in WWII (well, unless he was a time traveler).

The Hollywood Action Scene

Let’s be realistic here—Hollywood action scenes are designed to be eye candy.  Sometimes some scenes may even be designed to be put in a trailer to get audiences to see the movie.

Those scenes are done with wires and harnesses and stunt men.  To show Wonder Woman (the Lynda Carter version) jumping up into a window, the stunt woman had to jump out of the window backwards.  Then the film was reversed so it looked like she was jumping up to the window.

For those sword fighting scenes where the hero is attacked by multiple bad guys, it’s a one second delay before each man attacks. You wouldn’t think that second would make a lot of difference, but it does.  I saw a demo with the delay and then the real thing from re-enactors.  With the delay, the lone man could defend himself against all the attackers.  With no delay, he got overwhelmed alarmingly fast.

Shooting a criminal in the leg

You know the scene.  Bad guy runs away.  Good guy pulls out his gun, takes careful aim, and shoots bad guy in the leg.

Right.  Looks great.  Makes the audience think the detective is a good guy for not letting the bad guy live.  And very hard to do.

I was taught in the military to aim at center mass.  That’s biggest part of the body.  The basic reason? You’ll likely to hit it.

A leg’s a really small target.  Add moving in a running motion, and it’s even harder target.

Why do what Hollywood is doing?

Hollywood is very unoriginal.  Why be unoriginal?

Video: History of Technicolor

This is an interesting video on both the technicolor process and some film history.  Contrary to popular belief, The Wizard of Oz was not the first technicolor movie.  But watch on:

The Curse of Perfection

November marks NanoWrite, which is is when many writers try to write 50K in 30 days.  Nano, perhaps curiously, reminds me of the cooking competitions on Food Network.  They just finished up the Halloween Baking Championship and are about to start the Holiday Baking Championship.  There’s all the cake competitions too.

Particularly with the cake competitions, we sometimes get a cake decorator who proudly boasts up front that their standard is perfection.

Then they make contact with the timed challenge of the competition.

There’s no time to be perfect.

But some of them try to hang onto the perfection, and the time crunch pulls them apart.  They start making careless mistakes that put them behind.  Because they’re still focusing on perfection, they fall further and further behind, refusing to abandon part of piece that’s too complicated or try something else.

Others quickly toss out the perfection, but veer in another just as bad direction.  They go sloppy.  Their focus becomes laser focused on finishing, without regard to quality.

Suddenly they hear “One hour left” and it’s a mad rush to try to pull everything together.  Only it’s really too late to play catch up, and the piece either ends up a mess or on the floor.

Which sounds a lot like Nano.  The purpose is to drive out the perfectionist, because if you stop to perfect each sentence, you’ll never get 50K by the end of the month.   Yet, it’s hard for writers to let go of needing to be perfect and they end up not even getting close to their goals.  Or they write sloppy.   Imagine writing a story and leaving out all the punctuation.  Now imagine having to fix that during a revision.


Perfect is a curse, because it is anything but perfect.