Hollywood’s pretty well-known for Easter eggs,. It’s something that’s put into a movie or a TV show that only a diehard fan will catch. Like these visits from the movie producer in a brief cameo. They did miss one though–Donald P. Bellisario shows up in the episode with Mariette Hartley. You can see him walking in the background in the hospital waiting area, near the end.
Some other examples I’ve run across:
In Voyage to the Bottom of the Sea’s “Escape From Venice,” Admiral Nelson stays at the Hotel Dandelo. That’s the name of the cat from David Hedison’s film, The Fly.
In Buck Rogers in the 25th Century, there’s a scene where Captain Christopher Pike gets paged. Pike was a nod to Star Trek.
They can take the form of pretty much anything, especially if you’re familiar with the genre or the actors. But books have them, too.
Clive Cussler did one in his later novels. Dirk and Al run into a crusty old character with the strange name of…Clive Cussler! I know a lot of people thought it was hokey and silly, but it’s really kind of a fun nod to the fans of the books.
In fact, there was another action-type novel series where the writers were clearly a fan of Cussler’s, so that crusty character showed up in their first couple of books (not the later ones…).
Have you spotted any in your favorite books?
(And yes, I’ve used some in mine. They really are a lot of fun.)
A few years ago, I went to a panel on world-building at a con I was kind of cautious because my experience with any kind of world-building always started with this recommendation:
Buy a 3-right binder and a pack of tabs. Take this list of questions and answer every single one about your world. Only then can you write your story.
Pretty much a huge turn off to a pantser like me. It was one of the reasons I didn’t do speculative fiction for a long time. By the time I did all that recommended world building, I’d have lost interest not only in the story but even the world.
But this panel did something different, and I was reminded of while I was working on a scene. They said, first just start writing the story, then world build…because otherwise it’s possible to never get around to writing the story.
They also said to think about why cities or towns were built in a particular location, and this got really interesting because I hadn’t thought of cities like that before.
With a lot of the modern cities, it’s not always that obvious. If you walked out to Alexandria, VA today and looked around, you would never know that it was site of bustling tobacco trade in the 1700s. Now pleasure boats are hooked up to the docks and people feed the ducks.
There are also ruins in Egypt for places that no longer exist because the Nile changed course and that part of the world dried up. Clive Cussler did a novel called Sahara with something similar where there was a river in the 1800s and a Confederate ironclad got into the river. Shipwreck in the desert!
Still one of my favorite books. But I digress.
I wandered in this direction today because in my scene I have a town that’s kind of in the middle of nowhere. And it really is about connecting the dots and making sure all those connections get into the story. I was surprised at how many pieces were already there…creative brain was just sitting back and laughing at me until I figured it out.